In July 2010, Laurent Fignon, the great cycling legend, commented on the Tour de France. Although the two-time tour winner of the 80s has incurable cancer, he follows as a reporter day by day the entire race. His doctor should treat him medically during the tour. After facing each other in disgust, the two men develop more understanding for each other from stage to stage. For Laurent, ending this tour means upholding life, even though broadcasting efforts are reducing the chances of a successful life-prolonging therapy.

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The very first film by Jean Eustache (1938-1981), freely inspired in a short story by Guy de Maupassant, unfinished and without any soundtrack.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

暂无英文版的简介，请添加内容帮助我们完善数据库。

In industrial Lyon of the early '50s, a widowed bar-owner listens to radio crime serials, reads detective magazines, and grieves for her daughter, killed two years earlier in a mineshaft accident. Consumed by her loss and unwilling to face the truth, the bar-owner becomes suspicious of the grim patrons in her drab tavern, seeking someone to blame as she contemplates revenge.

Victoire, a 20-year-old judoka, has her trans identity outed in the middle of a tournament. Sonia, her next opponent, refuses to fight her. In the following hour, the gym turns into a battleground where athletes, parents, and officials clash. As debates over fairness and safety escalate, Victoire refuses to become a symbol and focuses on what matters most: her next match.